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Color Camera Club of Westchester
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HomeCCCW International Exhibition 2018

45th Westchester International Exhibition 2018

Sponsored by the Color Camera Club of Westchester

General Information


Chairperson:                Bunny Solomon

                                       211 Horseshoe Cir

                                       Ossining, NY 10562



Forms submission:     Website:


                                       Phone:  914-403-2879


Closing date:                           03/31/2018    

Judging Date:                     04/14/2018

Notification Date:                04/28/2018

Dispatch Awards:               06/30/2018

Online Catalog Available:   06/30/2018


Catalog:                      PDF Downloadable from web site by exhibitors.


Public exhibitions:   Gallery of all acceptances on website:, available 6/30/2018.

                                     Slideshow viewing of all acceptances at CCCW club meeting in 12/2018


Judges:                       Walter Kimmel

                                    Sandy Gennrich

                                    Steve Morton



                               Projected Image Division (PID) Color General/Open

                               Nature Division


Awards:                     PID Color      PSA Gold Medal                     Best of Show

                                                            Bo Tepper Honorary Award  Best Still Life


                                    Nature            PSA Gold Medal                     Best of Show


Target Range for Acceptances:          20% - 45%

Exhibition Entry Status

To see a list of all exhibition entries to date


PID Color General/Open Division


  • Mono images may be entered in this section.  Mono images entered in a PID Color section only count towards PID Color Class stars, not PID Monochrome Class stars. 
  • Acceptances in PID recognized Color sections shall be credited towards PID Color Star Ratings and Who’s Who Color listings. Monochrome images accepted in PID recognized Color sections shall only be credited towards PID Color Star Ratings.
  • All acceptance eligibility shall be in accordance with the PID Star Ratings or the Galaxy/Diamond Ratings requirements as appropriate.


Nature Division


Nature photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation.

  • The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality.
  • Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves.
  • Scientific bands, scientific tags or radio collars on wild animals are permissible.
  • Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement.
  • No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted.
  • Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning.
  • Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed.
  • Stitched images are not permitted.
  • All images must appear natural.
  • Color images can be converted to greyscale monochrome.
  • Infrared images, either direct-captures or derivations, are not allowed.
  • Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter.  This includes images taken with subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.


How to Submit Your Entry

Submitted Digital images must be in JPEG format.  Using sRGB is recommended.  A Canon Realis-WUX 500 projector with a maximum image height (vertical) of 768 pixels and a maximum image width (horizontal) of 1024 pixels will be used for the judging.  Digital images will not be altered, including resizing, by the exhibition before judging.  CDs and email attachments will not be accepted.

Entry fees:   Fee is $8.00 for each section, with a maximum of four images per section.  All payments must be made online, via PayPal.  Cash or checks are not accepted.  UNPAID ENTRYIES WILL NOT BE JUDGED.


The exhibition is open to anyone; however, an entry may be rejected when the sponsoring organization or its agent, in its reasonable discretion, believes the entry does not conform to the exhibition rules and conditions.

An entrant’s images will not be presented to the judges consecutively.  An entrant’s four images will be distributed throughout four rounds of judging in that section.  Distribution of images shall be in the same round order as submitted by the entrant.

Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his own (aliases are not permitted).  The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website.  Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” or inclusion in audio-visuals of the exhibition “and could be subject to disqualification” by the exhibition sponsors.

The exhibition assumes no liability of any misuse of copyright.  Images may be altered, either electronically or otherwise, by the maker. Artwork or computer graphics created by the entrant may be incorporated provided the photographic content predominates, subject to Nature, Photo Travel and Photojournalism divisional restrictions. All final work must be on photographic film, or on electronic file, or on photographic or electronic print material, mounting excepted.

No title or identification of the maker shall be visible anywhere on the face of an image, print mat or mount entered in a PSA Recognized exhibition.

Each image must have a unique title. Once an image has been accepted in a PSA Recognized exhibition, that same image, or a like “in camera” or a “reproduction” duplicate of that image:

  1. May not be entered or re-entered in any section of the same Division Star Ratings class in that exhibition regardless of media, format, or title.
  2. May not be re-titled for entry in any other PSA Recognized exhibition, including translation into another language.

Words such as “Untitled” and “No Title” are not acceptable as part or all of an image’s title, nor are camera capture filenames.

An image may be entered in only one section where acceptances of that image in multiple sections would be eligible for the same star path.


If the exhibition determines before, during, or after the judging that an entrant has submitted entries where one or more images fail to comply with these Entry Rules, including the stated definitions, the exhibition reserves the right and discretion to delete the entry from the exhibition and void any or all acceptances or awards. Fees may be forfeited in these circumstances.

In order to ensure that images comply with the Entry Rules and definitions, the exhibition may carry out checks on the images to make sure that:

     a)   the images are the original work of the entrant and

     b)  the images comply with the rules and definitions as set out in these Conditions of Entry.

This may involve asking the entrant to provide originally captured image(s), with EXIF data intact, by a set deadline. The questioned image(s) of any entrant failing to comply with such a request for the original image(s) may be considered in breach of these Entry Rules, and declined. Such entries may be referred to PSA for further investigation of possible ethics violations. PSA retains the right to investigate in any way all complaints/suspicions of breaches of entry conditions, impose sanctions if deemed necessary, void the acceptances of any image found to violate the PSA rules, include the entrant’s name on the list of sanctions provided to Exhibitions, and share such investigations with FIAP. Entrants automatically agree to these terms by the act of entering the Exhibition.

Submit Your Entry Here

Please read all exhibition details above before submitting your entry.  
Then t
o submit an entry CLICK HERE.  
Last Year's Photos:
To see the winning photos from last year's 44th annual Color Camera Club of Westchester Exhibition, CLICK HERE